February 11 – March 13, 2010

Left: For You (Only), Glazed Earthenware, 2010
Right: Beginnings and Endings (version #2), Glazed Earthenware, wood and screw, 2010
Photo: copyright Ruhwald Studio 2010

MIYAKO YOSHINAGA art prospects is pleased to present the second solo exhibition by the Danish-born artist Anders Ruhwald.

For the last 10 years Anders Ruhwald has been creating ceramic objects shaped in forms long associated with household objects (i.e. lamp, vase, mirror) but not intended to be used as such. Ruhwald attempts to liberate these forms from their subordinating role as utilitarian objects and allow them to quietly but mischievously interact with the viewer. His investigations shed a new light on the nominative role certain objects play in the navigation of our daily lives. To this end, Ruhwald sets up individual sculptures-- typically glazed earthenware in a single color--as stage props or even characters waiting for an audience.

In his new show entitled Temperance!, Ruhwald’s objects are suggestive, restrained and yet playful. The central piece in the show, “The shades about to fall (division),” consists of 23 rectangular ceramic forms hung from the ceiling in a straight line spanning the length of the gallery. The work becomes a space divider that is constantly changing as the individual pieces move around themselves. The work limits the audience’s movement in the gallery while leading them through the space as the individual pieces gradually change hue from one piece to the next. As a counterpoint, two human-scale yellow vases are placed at end of a large low podium intersecting the gallery. Cone-shaped with a flattened top, the vases have protruding handles that are too small to hold, lending an air of incongruity to this oddly proportioned yet ostensibly everyday scenery. At the other end of the gallery, a hollow object on tripod legs seems to mimic a TV. On the wall hung from orange knobs, two chairs play with Shaker dogmatism. Since they are only outline forms, they serve no practical purpose except to flatly echo the ideology of a vanished era.

Anders Ruhwald (born 1974, Denmark) lives and works in London and Detroit. He graduated from the Royal College of Art in 2005. Solo exhibitions include “The state of things” at The Museum of Art and Design in Copenhagen, Denmark, “You in Between” at Middlesbrough Institute of Modern Art in the UK as well as various gallery solo-shows in Stockholm, London, Copenhagen, New York, San Francisco, Chicago, and Brussels. His work is represented in many museum and private collections including The Victoria and Albert Museum, London (UK), The National Museum of Decorative Art (Norway), The National Museum (Sweden), The Swedish Arts Council, The Museum of Art and Design (Denmark). Ruhwald has lectured and taught at many universities and colleges around Europe and North America and has held an associate professorship at the School of the Art Institute of Chicago. Currently he is the Artist-in-Residence and Head of the Ceramics Department at Cranbrook Academy of Art in Detroit.